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Dumt & Farligt recorded stupid things happening at 2500 frames a second
YouTube celebrates that it sees one hour of video uploaded per second
TED Talk: Adam Sadowsky explains how his team built OK GO’s video for This Too Shall Pass
Capturing video at the speed of light at one trillion frames per second
Danny MacAskill, the incomparable trials cyclist, is back with Industrial Revolutions
These three videos by Rick Mereki, Tim White and Andrew Lees offer a beautiful testimonial to the soul-enriching nature of travel.
Daring Fireball: Simple Questions for Google Regarding Chrome’s Dropping of H.264
5. Who is happy about this?
Wildlife filmmaker Chris Palmer shows that animals are often set up to succeed
“Shooting in the Wild,” published this year by Sierra Club Books, exposes the unpleasant secrets of environmental filmmaking: manufactured sounds, staged fights, wild animals that aren’t quite wild filmed in nature that isn’t entirely natural.
Nature documentaries “carry the promise of authenticity,” Palmer said, speaking on a morning stroll through the manufactured wilderness of the National Zoo. Nature filmmakers profess to present animal life as it is lived, untouched by mankind. Yet human fingerprints are everywhere.
Palmer’s book underscores the fundamental challenge of wildlife filmmaking: Nature is frequently boring. Wild animals prefer not to be seen.
“If you sit in the wild and watch wildlife, nothing happens for a very long time,” said Maggie Burnette Stogner, an environmental filmmaker who works with Palmer on the American University faculty. “That’s mostly what happens in wildlife.”
Coding Horror: YouTube vs. Fair Use explores how YouTube deals with possible copyright infringement in uploaded clips.
This Ok Go video for When The Morning Comes is hilarious (via simplebits)